Sandford Borins

Sandford Borins, Ph.D.

Sandford Borins is a Professor of Management at the University of Toronto. He writes, blogs, and teaches about narrative and innovation.

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October 5th, 2014

Returning to My Blog

Innovation, Narrative

As you may notice, my last blog entry was in mid-August. This is the longest time between posts since I began blogging in 2007. Part of the reason was the summer holiday. This semester I am on research leave, so I haven’t been meeting classes, and my posts are often responses to something that went on in class, or explorations of issues raised in class. (I will be returning to class in the winter semester, so you can expect to see posts about my classes again.)

I have been working intensely on a new book about narratives dealing with private sector management. I’ve completed drafts of an introductory chapter and a chapter on the auto industry during the summer, and in September I was drafting a chapter about the IT sector. These two sectors have much in common because autos were the high tech of a century ago. I’m now turning to a chapter about the financial services sector: Wall Street, Wolf of Wall Street, Inside Job, Caryl Churchill’s Serious Money: lots of juicy material to write about it. This research involves a lot of reading and watching, and then a lot of writing, so I haven’t tried to post a small chunk of a chapter on the blog.

But I will be getting back to the blog. Maybe political issues as we get closer to the Toronto civic election. I will be going public with my public sector innovation work, making presentations at an OECD Conference on Public Sector Innovation in Paris in mid-November and a seminar at the Hubert Humphrey School at the University of Minnesota in early December. And there may be some issues of an economic nature coming as well. Watch this space: I shall return to it.


August 14th, 2014

I’ve Friended McNabs Island


I’m back from two weeks’ holiday in Nova Scotia, spent in Halifax and on the south shore. I gained a deeper understanding of Halifax’s strategy significance as Canada’s major Atlantic port during both world wars – a result of its unique setting, with a deep sheltered harbor connected to a basin where a fleet could be marshalled, as well as a nearby hill on which a fort could defend the city and harbor below. Finally, the harbor could be protected by a large island – McNabs Island – at its mouth.

Halifax’s military heritage has been preserved at the Citadel, its role as a disembarkation point for immigrants at the Pier 21 Museum, and its social and commercial history at the Marine Museum of the Atlantic. These three sites are all well-presented and worth visiting.

McNabs Island is a somewhat anomalous contrast. The island is a provincial park and the main military installation, Fort McNab, which contains massive cannons that control the passage to the harbor, is now a national historic site. The island also has beaches, several once-toney homes and cottages, the ruins of an amusement park, hiking trails, forests, a tidal pond, and a plethora of birds, including an endangered species of barn swallows.

Even though it is a provincial part and contains a national historic site, McNabs Island has fallen on hard times. The buildings are decaying. Signage on the trails is minimal. While there are electrical lines to the island, the power has been turned off.

McNabs Island has the potential to be restored. It could be a hiking and nature preserve; it could be an historical site; or it could be a recreational destination, somewhat like Toronto’s Centre Island. Or it could be some combination of the three.

Above all else, McNabs Island needs a vision of what it should be and it needs more resources than the provincial and federal governments are providing. Had there been a clear vision of what McNabs Island could be, it could have been funded as part of the Harper Government’s ubiquitous Economic Action Plan.

The situation is not without hope, however. Friends of McNabs Island ( is a citizen’s group that is working to preserve, publicize, and promote McNabs Island. The group has published a brochure about the island outlining its history and including a detailed map, has undertaken initiatives such as an annual litter cleanup, and has acted as advocates to protect the island – once thwarting a proposal to build a sewage treatment plant on the island.

Friends of McNabs Island also offers walking tours of the island that point out its history and ecology. My travel companion (my older son Alex) and I saw a reference to McNabs Island tours in our travel guide, and the tourist office on Halifax Harbor told us about a ferry company boat that was dropping off and picking up tourists at McNabs. On the Saturday we went, two guides from Friends of McNabs Island also rode the ferry and then offered to lead a tour for the dozen or so visitors, at no charge.

The two guides, Erin and Brooke, are both Dalhousie students working for Friends of McNabs Island as a summer job. They are cheerful, knowledgeable, articulate, and energetic. The standard tour ended at the dock about 40 minutes before the return ferry was to arrive. Alex and I were willing to explore a bit more, so Erin and Brooke took us on a personal tour of Fort McNab. Erin and Brooke struck me as exactly the sort of student I like to have in my classes and are excellent representatives of their programs (environmental studies and management, respectively) at Dal.

Alex and I enjoyed this visit immensely and concluded that it was one of the highlights of our trip to Nova Scotia. We, too, are now Friends of McNabs Island. And we hope that Erin, Brooke, and the other members of the Friends of McNabs Island will stimulate renewed interest and reinvestment in McNabs Island, so that it again becomes a favorite destination for both Haligonians and tourists.


July 28th, 2014

Radio Interview about “The Persistence of Innovation in Government”


I was recently interviewed by Michael Keegan, of the IBM Center for the Business of Government, about my book The Persistence of Innovation in Government and my monograph The Persistence of Innovation in Government: A Guide for Innovative Public Servants. The interview was on Federal News Radio in 1500 AM Washington, D.C. Here is a link to listen to the interview



In the interview, I outlined the main themes of the book and report, and also discussed how I came to write the book as well as my other ongoing body of research about narrative, and the links between narrative and innovation.


I will be on holiday for the next two weeks, so I will be posting again sometime in mid-August. Enjoy the summer.


July 15th, 2014

David Zussman’s Off and Running: The Art and Science of Transition

Government, Politics

I’ve just read Off and Running, David Zussman’s new book about electoral transitions in the Government of Canada, published by University of Toronto Press as part of the Institute of Public Administration of Canada’s series on public management and governance. By electoral transitions, I mean the changes that result from a general election, whether the governing party is re-elected or replaced by the opposition. Zussman’s book is, without doubt, the definitive work in this field, and it deserves high praise.

Zussman was the head of the transition team for Jean Chretien’s three governments (elected in 1993, 1997, and 2000) and could have written a monograph, and probably a book, on the basis of his experience alone. It is to his credit that he went beyond that to interview people associated with the Clark, Mulroney, Campbell, and Harper transitions. That they were willing to cooperate makes the point that planning and managing a transition is an important type of tradecraft with Canadian government. It is to their credit that these professionals, regardless of their politics, were willing to share tradecraft with one another and, thanks to this book, with the interested reader. Some of the anecdotes provided – set off in text boxes – are fascinating (such as the transition from addressing the party leader by first name to “Prime Minister”).

Another strength of Off and Running is that it takes a comprehensive life-cycle approach to transition, starting with the small transition teams appointed by party leaders several months before an election and doing their work confidentially, moving through the high profile activity of the team just before and after the election, to the completion of the transition phase during the first few months of a government’s mandate. It tells the complete story.

Off and Running is comprehensive in other ways, for example in Zussman’s frequent references to transition tradecraft in our nearby comparators, the US and the UK. In addition, Zussman has included a variety of documentary materials, such as his own briefing notes and outlines of the 1993 transition book his team prepared for Jean Chretien and the 2006 transition book Derek Burney’s team prepared for Stephen Harper.

Finally, Zussman goes beyond description to prescription for participants in the process to systemic prescription, recommending that the Harper Government rethink its restrictions on public servants during the election period, such as not making public speeches, participating in international meetings, or meeting with leaders of opposition parties.

A few final observations:

Zussman included the vetting questionnaire posed to potential ministers in 1993, which included a question about drug or alcohol abuse. It’s good to know that, if answered truthfully, it would have disqualified Rob Ford.

More and more, faculty in business schools are writing articles not books. Public management faculty, however, continue to write books. I’m glad Zussman produced a book, rather than a series of articles. His message was so wide-ranging and comprehensive that a book was the appropriate approach.

Zussman remarks that senior public servants are expected to interact with their new minister in the official language of the minister’s choice. Consistent with this practice, when he has included documents in French, he has chosen not to translate them. I think it’s a reasonable expectation that his readers should be able to handle this (and, if they can’t, there is always Google translate).

Zussman uses endnotes for referencing. I prefer in-text references that permit me to see immediately whom he is referencing and give me the option to look at the reference list to find out more. I find it inconvenient to read the text and keep flipping to the back to check references for points I found fascinating, of which there were many.

My overall and enthusiastic conclusion is that this is a superb work and a major contribution to the study of government in Canada that will be of interest to scholars, students, and practitioners. It is a must-read for both Thomas Mulcair and Justin Trudeau this summer!


June 21st, 2014

Passionately Resisting Censorship

Living Digitally, Politics

The Metropolitan Opera describes the audience for its Live in HD broadcasts as a passionate global community. Though this use of the term passionate seems to be yet another instance of its devaluation, this week’s announcement of the cancelling of next fall’s Live in HD broadcast of The Death of Klinghoffer may indeed arouse the passions of that community. I count myself a member of that community and had planned to attend that broadcast.

The Death of Klinghoffer has been criticized by Klinghoffer’s daughters Lisa and Ilsa as a rationalization of terrorism and false moral equivalencies. Others in the Jewish community, for example Jonathan Tobin on the Commentary blog and Eve Epstein on the blog of The American Interest, a Conservative magazine, have echoed this view. Epstein is particularly scathing, calling it a “rhapsody to terrorism,” zeroing in on an aria by one of the terrorists that she claims “echoes the views of Der Sturmer, Julius Streicher’s Nazi newspaper, without a hint of irony or condemnation.” Those holding these views wanted the opera suppressed entirely.

The Anti-Defamation League took up the cause of these critics even though it concluded in its press release of June 17 that “the opera itself is not anti-Semitic.” The compromise brokered by the ADL involved including a statement from the Klinghoffer daughters in the program for live performances at the Met and cancelling the global broadcast because “there is concern that the opera could be used in foreign countries as a means to stir up anti-Israel sentiments or as a vehicle to promote anti-Semitism.” In other words, it left the Live in HD audience, both in the US and overseas, out in the cold.

In justifying this decision to composer John Adams, the Met’s general manager Peter Gelb referred to “unimaginable pressure” to cancel the work. Given the Met’s difficult financial situation and increased reliance on donations (the subject of a full-page ad in the New York Times that appeared on June 20), it appears very likely that Mr. Gelb was referring to threats to withhold donations.

As a member of the passionate global community being denied an opportunity to see The Death of Klinghoffer I have several reactions.

Say that John Adams, or anyone else, had written an opera that included as its libretto text from purely anti-Semitic tracts such as Mein Kampf, The Protocols of the Elders of Zion, or Die Sturmer. I would not support producing or broadcasting it.

Most of the discussion of The Death of Klinghoffer concludes that it is not an expression of thoroughgoing anti-Semitism, but rather is a serious attempt to deal with the issues involved in the conflict between Israelis and Palestinians. The ADL’s statement that the opera itself is not anti-Semitic seems to me consistent with that judgment. New Times opera critic Anthony Tommasini, who has seen the opera, described it in his column of June 21 as “a raw brooding work that in its brutal honesty provides a kind of tragic consolation.” Similarly, The New York Times editorial on June 20 criticizing the cancellation of the global broadcast argues that “the opera gives voice to all sides in this terrible murder, but does not offer resolutions.”

Unlike, say, The Merchant of Venice, The Death of Klinghoffer is not in the public domain, and I would like to have seen it performed to evaluate it and draw my own conclusions. I don’t want the Klinghoffer daughters, Eve Epstein, Jonathan Tobin, or the ADL preventing me from doing that.

One possibility would be for John Adams and his librettist Alice Goodman to make the libretto available on Adams’s website. It seems to me that this does not constitute making his intellectual property available for free, since the opera’s intellectual property includes both music and production. Making the libretto available would at least initiate a discussion of how the opera treats the Israeli-Palestinian conflict, a discussion that critics in the Jewish community are so determined to suppress.

To conclude, yes I am passionate about freedom of expression, and yes I believe Adams’s opera should be protected by First Amendment values of free expression, not just in the United States, but globally.